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” Have you heard the last minute of “For Martha” by Smashing Pumpkins?
The creeping, moody guitar crescendo with narrowed feedback sounds like a child inside an adult’s body, slowly crying higher and higher while fighting it (when I found out that song was about Billy Corgan’s mother, I think I called home every day for a month straight, just to hear my mom’s voice.) .” When we say those words, we speak far beyond the actual song, refracting into the cavernous dwellings, where natural emotions reside.
Another interesting form of this communication is the exciting world of theater.
Additionally, Chan has added her vocals to a character from animated TV Show Adult Swim.
While in Atlanta, Marshall played her first live shows as support to her friends` bands, including Magic Bone and Opal Foxx Quartet.
Due to her close relationships with the various people involved she has stated that her involvement in music at this time was primarily a social interest rather than an artistic one.
Deep down, there is a response cloaked under the jagged arteries interlocking progression; the soft, tender, thumping palpitations our heart renders when we sound, whether it be new or different or familiar.
I catch myself liking new music I wouldn’t normally enjoy on various occasions, and I believe it’s a physical response to a malaise, or distractions, or a different spell cast upon me.
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“I’ve been looking forward for so long to return to my home away from home and I wasn’t going to let this debilitating illness deprive me or anyone else of that opportunity.